Very
few mediterranean country gardens are aesthetically self-contained
because very few are flat. In our regions there is no such thing
as a "lost" horizon, unless it is that of the sea. It is
a question of terrain. Our horizons are very present and visible,
framing our immediate environment. Even within the limits of our
own gardens. many different levels are usually represented.
On
the whole this makes our life easier - at least where design is
concerned. The built-in variations in levels spares us the
necessity of creating it with either costly construc-tions or
slow-growing trees; even an immature garden presents a pleasing
synthesis from day one. Most often parts of our garden are
projected against other parts and against the immediate or distant
landscape, which becomes another, often dominant, element of our
design. Often the only decisions we need to make are how to
provide transitions, areas that lead the eye to the surrounding
landscape without distracting from it - intermediate zones that
mix the "artificial" with natural and merge in with what
lies beyond. Our only concern for the landscape need be that we
refrain from betraying it.
Our
design task is also easier because we have fewer choices: when we
have to make a garden on a steep slope, for example, the choice of
terracing has already been made for us. Aesthetic solutions are
invariably right when they coincide with practical ones. [...]
The
kind of building we do in our gardens also differs. We have
belvederes at the edges facing the view beyond, rather than
gazebos at central vantage points from which to admire and enjoy
the garden itself. Our shelters are invariably airy pergola-type
constructions intended to provide protection from sun, rather than
solid pavilions to shelter us from rain and allow us to enjoy the
garden despite it.
Cali
Doxiadis: Softscape, hardscape and landscape, in The
Mediterranean Garden, No. 49, July 2007.